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I Shall Die Here

by the body

supported by
Terry Hope Romero
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Terry Hope Romero Brutal music to clear any room with. It engulfs you, swallows you hole, and spits you out cold. Favorite track: Hail To Thee, Everlasting Pain.
brantly
brantly thumbnail
brantly Kind of like if enslaved machines played avant-garde blackened doom metal during an end-of-existence sulfurous electrical storm...which is fucking awesome!
lupine_lvthn
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lupine_lvthn scariest music you can listen to while in a dark room or while night driving. ghastly atmospheres accompanied by sludgy drone passages. this album is by no means easy listening. 8/10 Favorite track: To Carry the Seeds of Death Within Me.
Travis Niemeyer
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Travis Niemeyer I'm an ambient/noise fan. But sometimes when listening to my favorite cerebral mind-conditioners...I wonder what moody metal it could securely fit over, played simultaneously, in a Dark Side Of Oz fashion. This album answers that.
WIPP
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WIPP The Body and The Haxan Cloak make a demented and devastating album of sludgy industrial drone metal. This is the kind of heavy industrial music I crave.
9/10 Favorite track: Hail To Thee, Everlasting Pain.
Dave
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Dave Oppressive and disturbing, atmospheric music. Puts me in mind of Khanate; the sound is completely different but the intent feels similar. I wasn't a huge fan of The Body's previous work but this collaboration with The Haxan Cloak is some seriously nasty stuff. Favorite track: To Carry the Seeds of Death Within Me.
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about

Sharing their heathen vision with The Haxan Cloak, The Body’s tried and true sound is cut to pieces, mutilated by process and re-animated in a spectral state for their fourth full-length. I Shall Die Here sonically serrates the remains of metal's already unidentifiable corpse and splays it amid tormented voices in shadow.

For More Info:
igetrvng.com/products/the-body-i-shall-die-here-haxan-cloak/

credits

released April 1, 2014

All songs written by Chip King and Lee Buford.
Produced by The Haxan Cloak.
Recorded and mixed at Machines With Magnets by Keith Souza and Seth Manchester - Providence, RI - June 2013.
Additional recording at Legitimate Business by Kris Hilbert - May 2012. Additional synths, programming, re-recording and arrangement by The Haxan Cloak.
Mastered by Rashad Becker at Dubplates & Mastering - Berlin, Germany
Design by Will Work for Good.

Ben Eberle - Vocals, Laura Gulley - Violin / Viola, Seth Manchester - Drums / Programming, Gus Martin - Electric Bass, Scott Reber - Noise / Synth, Keith Souza - Drums / Programming, Kathryn Teague - Vocals

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the body Portland, Oregon

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